PLAY_MODE
8’40”，引擎电影/互动视听展演，2026
Exhibition:“加载...权限4” UFO Terminal 未知终端
Sound Design: Pluvia
将童年的自己作为不稳定的变量，加载到日常使用的生产工具(游戏引擎)中。她将这个工具构筑的世界当作游乐场肆意探索，随着这个“世界”这的运行，潜藏在背后的规则与结构也逐渐显现。身处被社会标准化筛选后的既定秩序中，她试图以孩童本能的游戏方式颠覆固有规则，系统却走向极致的 “失常”：重复的人物、同步的动作、不断复制的成人化身接连涌现，整个世界彻底展露了它的运行后台。
A childhood self is loaded into my everyday production tool—the game engine. She treats the world built by this tool as a playground, exploring it with abandon. Yet, as the world continues to run, its hidden rules and structures gradually emerge.Trapped within an established order filtered by social standardization, she attempts to subvert the rigid rules with a child's instinct for play. In response, the system plunges into the ultimate "malfunction": repetitive characters, synchronized movements, and endless replicas of adult selves flood the scene, completely laying bare the world's operational backend.
8’40”，引擎电影/互动视听展演，2026
Exhibition:“加载...权限4” UFO Terminal 未知终端
Sound Design: Pluvia
将童年的自己作为不稳定的变量，加载到日常使用的生产工具(游戏引擎)中。她将这个工具构筑的世界当作游乐场肆意探索，随着这个“世界”这的运行，潜藏在背后的规则与结构也逐渐显现。身处被社会标准化筛选后的既定秩序中，她试图以孩童本能的游戏方式颠覆固有规则，系统却走向极致的 “失常”：重复的人物、同步的动作、不断复制的成人化身接连涌现，整个世界彻底展露了它的运行后台。
A childhood self is loaded into my everyday production tool—the game engine. She treats the world built by this tool as a playground, exploring it with abandon. Yet, as the world continues to run, its hidden rules and structures gradually emerge.Trapped within an established order filtered by social standardization, she attempts to subvert the rigid rules with a child's instinct for play. In response, the system plunges into the ultimate "malfunction": repetitive characters, synchronized movements, and endless replicas of adult selves flood the scene, completely laying bare the world's operational backend.
其他创作 Other Art Creations